Monday, January 12, 2009

Joy Garnett's artist support list

Not too long ago Joy Garnett posted Programs and Support for Emerging Artists, A-Z on her NEWSgrist blog.

In her introduction to the list Joy wrote:
The other day I received an email from a young artist asking me to suggest galleries, spaces, blogs and publications that provide support for emerging artists in the New York area. I compiled a list, and have since added more, which I am posting below. As for blogs and publications: my advice was for emerging artists to start working on their own online presence, start their own blogs, get their work out there and start networking. The list is by no means complete...
See the list

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Tuesday, October 7, 2008

Opportunity: write for "Networked"

Yesterday I received this announcement from the great folks at Turbulence:

Networked: a (networked_book) about (networked_art)
A Juried International Competition
Call for Proposals

Deadline: December 15, 2008
http://turbulence.org/networked

Five writers will be commissioned to develop chapters for a networked book about networked art. The chapters will be open for revision, commentary, and translation by online collaborators. Each commissioned writer will receive $3,000 (US).

Networked Committee:
Steve Dietz (Northern Lights, MN) :: Martha CC Gabriel (net artist, Brazil) :: Geert Lovink (Institute for Network Cultures, The Netherlands) :: Nick Montfort (Massachusetts Institute for Technology, MA) :: Anne Bray (LA Freewaves, LA) :: Sean Dockray (Telic Arts Exchange, LA) :: Jo-Anne Green (NRPA, MA) :: Eduardo Navas (newmediaFIX) :: Helen Thorington (NRPA, NY)

Networked Partners:
New Radio and Performing Arts, Inc. (NRPA) :: newmediaFIX :: LA Freewaves :: Telic Arts Exchange

"A networked book is an open book designed to be written, edited and read in a networked environment." - Institute for the Future of the Book

Networked Goals:
  1. To commission five chapters and publish them online using Wiki/blog technology to enable the public to revise, update, debate and translate them
  2. To present public forums to publicize the online book and solicit participation in its development.

Networked Objectives:
:: To develop and publish an online, trans-disciplinary book that will address recent artistic developments made possible by computers, networks, and mobile connectivity

:::: To present the book in an open, participatory and social form

:::::: To document:

:::::::::: the collapse of the traditional distinction between artist, art work and audience

:::::::::: the shaping of creative practice that is open, contingent and participatory

:::::::::: the building of virtual communities which, in the words of Howard Rheingold, "becomes inevitable wherever computer mediated communications technology becomes available to people anywhere." (The Virtual Community, 1993)


We invite contributions that critically and creatively rethink how networked art is categorized, analyzed, legitimized -- and by whom -- as norms of authority, trust, authenticity and legitimacy evolve.

"Networked" proposes that a history or critique of interactive and/or participatory art must itself be interactive and/or participatory; that the technologies used to create a work suggest new forms a "book" might take.

We hope to spark a conversation between researchers and practitioners, curators, artists, and academics in the fields of art (music, sound, dance, e-lit, visual art), architecture, convergence, mapping, urbanism, games, sociology, visualization, cultural studies, and environmental studies.

In keeping with the transdisciplinary nature of the book, authors may consider, but are by no means limited to, themes such as:

:: cyberspace and identity

:: ubiquitous computing - surveillance, politics, and privacy

:: avatars, wearables, bioart and embodiment

:: collective storytelling, audio narratives and sound art

:: virtual worlds, mixed realities

:: locative media - place, mobility, augmented reality

:: massively multiplayer online games - networked play

:: responsive architecture and relational environments

:: social networks

:: nomadism, psychogeography, and the city

:: tactical media - performance, agency and activism

:: open source and crowdsourcing

:: Originality, copies, remix, mashup

All papers will be reviewed by our international committee.

Commissioned chapters, as well as contributions by collaborators, will be subject to the Creative Commons License Attribution-Noncommercial-Share Alike 3.0/Unported: http://creativecommons.org/licenses/by-nc-sa/3.0/

Once the chapters are published online, registered users will be able to revise, add to, and translate the existing texts. There is no end date for the project. When "Networked" has attracted substantive participation, we will consider publishing a print version of the project, which may itself be updated over time.


GUIDELINES:

Submissions must be based on original, unpublished research. They should include:

1. Name, address, URL, email and one page CV of author.

2. A 1000 word proposal that should be accompanied by an abstract of no more than 250 words and a list of keywords to indicate the subject area of the chapter. [Each of the commissioned chapters will contain text, images, videos, and/or audio.]

3. Three networked writing samples. Samples may include a blog entry, a Wikipedia article the applicant worked on extensively, or samples from any other participatory project (send URLs).

Acceptable Submission Formats: Either a web page (send url in an email) or a single text document (send as an email attachment)

Final chapters must be no less than 5,000 words.

Submissions and Questions should be sent to: jo at turbulence dot org


IMPORTANT DATES

Deadline for Proposals: December 15, 2008
Notification: January 31, 2009
Deadline for Complete Chapters: April 30, 2009
Online Publication Date: July 1, 2009

Join our Facebook group:
http://www.facebook.com/group.php?gid=82123410550

Funded by the National Endowment for the Arts.

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Tuesday, September 30, 2008

Francising apexart

Apexart is a very cool, non-profit gallery in NYC. Every year it has a call for curatorial proposals from non-curators.

Now it has a call for "franchise" proposals. I've put franchise is in quotes because it's really about doing a one-off show outside of NYC, rather than opening up an on-going gallery.
apexart wants to come to you. Any city, any town, anywhere in the world. We are franchising a one-time exhibition opportunity where apexart will come to your city and appoint you the director of your own temporary non-profit exhibition space. For a four-week exhibition in May, 2009, and in the months preceding, you will be the director and/or curator and/or staff of your own institution with a budget, a salary, and complete control.

We will provide up to $10,000 USD in funding and the guidance to make your curated exhibition happen. In addition, prior to your show, we'll arrange to bring you to NYC for three days, all expenses paid, to visit apexart and meet our staff.
I don't know for sure, but I suspect all things being equal that apexart will give preference to proposals coming from cities that are further afield art-wise (i.e., I think a proposal coming from Deluth might have a better chance than a proposal coming from Los Angeles).

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Wednesday, September 3, 2008

100 $ Grants

JSG Boggs, "$1 FUNback," 1998.

ASDF is a set of collaborative projects by Mylinh Trieu Nguyen and David Horvitz.

One of their current project is One Hundred $1 Grants, which offers, well, one hundred $1 grants:

ASDF is offering One Hundred $1 Grants. All selected projects will be available in a downloadable exhibition in February 2009. Anyone is eligible. There are no restrictions on proposed projects. All forms of creative activity are encouraged. Money can be used for cost of production or for monetary compensation.

The deadline is November 30, 2008

All recipients will be announced December 31, 2008. Projects should be completed January 31, 2009.

We will review each application.

To Apply:

Download the proposal form here. Email us when you have completed it.

Please put "100 $1 Grant Proposal" in your email subject.

[ via Art Fag City]

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Friday, June 13, 2008

Online art auction

Portland State University is having an online art auction. It's a great chance to pick up a nice work of art for a nice price.

There are 100 works including ones by Dan Graham , William Wegman, Miranda July, Harrell Fletcher, Chris Johanson, Jeanne Finley, Mads Lynnerup, Bruce Conkle (whose Endless Snowman, is pictured above), etc.

Harrell Fletcher explains the auction's method:
The auction uses an unusual system. There are 100 pieces by 100 artists ranging from Dan Graham and William Wegman to PSU students and faculty. We are selling 100 certificates which redeem an auction piece at prices from $2500 to $100 apiece. The higher priced the certificate the sooner the collector gets to pick their piece from the site, giving them a greater chance of selecting the piece they want. There are only two certificates at the highest price and there are thirty-five at the lowest price. Everyone who buys a certificate will get a piece of art and will be helping to support Portland State University's Art Dept in the form of scholarships, visiting artists programs, and helping to support PSU's MFA including the new Art and Social Practice Program.

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Wednesday, May 21, 2008

Prison Installation art opportunity

This is an interesting one... Eastern State Penitentiary in Philadelphia (which is now a museum, not an active prison) commissions installation art.

It funds up to $2500 for project development and up to $7500 for full realization of a project. Details here. Deadline is June 17th.

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Friday, May 2, 2008

Apply for the West Prize

If you're an emerging artist you should apply for the West Prize. Applications are entered into a kind of slide library, even those who don't win will receive exposure.

Feeling a bit busy today, so I'm shamelessly reposting Edward Winkleman's blog posting:
Launched at the Next Art Fair this past weekend, The West Prize is a generous example of a major collection giving back to the artist community. If that sounds like a sales pitch, that's because it is. If you're an artist, you should apply today. Here's the skinny about the prize:
The West Prize will be awarded to ten international emerging artists in 2008. The prize will award $100,000 in acquisitions between the finalists and host a finalist TEN exhibition with accompanying publication. A grand prize winner will be chosen from among the finalists to receive a $25,000 cash prize in addition to a West Collection acquisition.
As Paige West (yes, of the West Collection, as well as founder of Mixed Greens and fellow blogger [check out the top photo on Paige's blog]) noted in the comments on Art Fag City:
One thing that it doesn’t mention in the fine print of the Prize details is that I plan on sending dealer and collector friends (and anyone else who I think would appreciate seeing some new art) to specific artists throughout the submission timeline. So, hopefully some artists will feel the benefit of submitting long before the winners are announced.
Knowing the West Collection and Paige and [director] Lee Stoetzel in particular to be true champions in the cause of promoting emerging artists, I can wholeheartedly endorse this opportunity to have your work seen via the prize's website and possibly acquired by the collection or others who'll visit it. Have I mentioned you should apply today?

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Wednesday, April 9, 2008

Living Room call for proposals

This sounds like an interesting opportunity:
[via Networked_Performance]

Living Room :: Flux Factory in collaboration with openhousenewyork :: October 4-5, 2008 :: Deadline: May 10, 2008.

Living Room is a continuation of Flux Factory's interest in the urban experience, in New York history, and in the overlap between private and public space. Being a live / work collective, we are fascinated by what it means to inhabit a space, to make it one's own. We want to invite artists to play with the notion of belonging to a home, and claiming a space as one's own. So we're going to give artists the opportunity to go into someone else's home and make it their own, aesthetically. The project will, literally, bring artists into domestic locations in New York City to create site specific works. Aside from satisfying a mild desire for voyeurism common to us all, this project will be an opportunity for the public to peek into private sites normally off limits; either eccentric private living rooms or other variations of private space.

The locations will range from volunteers' living rooms to private, historical sites, which we will help facilitate access to along with openhousenewyork (OHNY), a non-profit organization celebrating New York City's architecture, culminating in America's largest architecture and design event, the Annual OHNY Weekend. A guidebook of their locations, along with an inset for "Living Room," will be printed and distributed throughout the city. Last year, OHNY printed 370 000 guides and had 150 000 visitors throughout their 193 sites.

Installations will address the historical, personal and social particularities of the sites with which they engage. Artists will have carte-blanche and may incorporate both formal visual amendments to the space (e.g. filling it with colored balls) and conceptual ones (e.g. re-organizing a library according to subjective categories). We encourage artists to find an appropriate private place within the five boroughs. We will help artists secure access to these sites. We will also be inviting select people to open their homes (or offices) for the event. Artists may chose locations from ones included in OHNY's roster. A list of the 2007 OHNY venues can be found here.

Works will be on view during OHNY Weekend on October 4-5, 2008. Depending on the site, they may be open throughout the weekend, or during business hours. A materials and artist fee of $500 will be provided to each artist. To apply, please send the following:

1. A 250-word proposal indicating your proposed site (especially if they are a new sites not previously included by OHNY) with a clear description of what you propose to do.
2. Your contact information (email and phone number)
3. Bio or CV
4. Any supporting images you would like to include

Proposals should be sent to Chen Tamir by email at dearcheny [at] gmail.com. The deadline for is May 10th, 2008.

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Thursday, March 13, 2008

Rhizome Commission call for proposals

The deadline for the Rhizome commissions is March 31st:
Rhizome's 2009 Commissions cycle is now open. This year, Rhizome has expanded our scope to encompass a broad range of practices that fall under new media art, including online works, performance, video, installation or sound art. Projects should creatively engage new and networked technologies as well as reflect on the impact of these tools and media in a variety of forms. The deadline for proposals is midnight on Monday, March 31, 2008.
The commissions range from $3-5k. Details here.

My Email Erosion project was commissioned by Rhizome a few years ago. I'm applying again this year with a proposal for a Webphone.

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Sunday, March 9, 2008

PS122 Gallery call for propoals

The PS122 Gallery, a non-profit in the lower east side, has a call for proposals (April 20th is the deadline) for artists who would like to be one half of a two-person show.

Each year we invite artists and curators to apply for two-person or group exhibitions, which are juried by a panel of art professionals including a curator, a writer, an artist and a member of the PS122 Gallery Advisory Board.

We accept applications from individual artists, 2-person groups or other small groups. Individual artists are encouraged to apply. They will be paired with another artist by the jury. Applications from students are not accepted.

Artists selected by the jury will be given the opportunity to exhibit their work for approximately three weeks, along with announcement postcards, press materials and guidance from the gallery director. While there are no geographical eligibility requirements, this opportunity is most appropriate for artists who live within commuting distance because artists are required to install their own exhibition and to gallery-sit on weekends.
I applied last year and was matched up for a show with Aaron Kreiswirth (a very talented photographer). My half of the show consisted of Mirror and the Anthroptic series I did in collaboration with author Benjamin Rosenbaum.

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Friday, February 29, 2008

Black & White Gallery's call for artists

The B&W Gallery's Williamsburg project space has a call for project proposals. The deadline is May 31st.

Black and White Project Space seeks site-specific exhibition proposals of high artistic merit that use diverse mediums in innovative ways to be presented in our Williamsburg location in the fall of 2008 and spring of 2009. All proposals will be reviewed by May of 2008, and artists will be notified by early summer of 2008.

Black & White Gallery's mission is to cultivate promising artists in the initial and more advanced phases of their careers exploring contemporary themes and concepts through multiple mediums. In addition to developing its core program in Chelsea, Black & White Project Space presents ambitious site-specific work at the Williamsburg location.

Award Criteria
Criteria used to select proposals include the following:
1) Intellectual and artistic merit in the proposed project
2) Extent of interplay between the indoor and outdoor spaces
3) Feasibility of the project under sponsorship of the Black & White Gallery
4) Extent of interdisciplinary activity
6) Presence of matching funds (indicate amount)

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Sunday, February 24, 2008

Art In General: Call for new proposals

Art In General has an open call for new proposals from artists living within 50 miles of NYC. The deadline is March 31st, 11:59 EDT.

Details here

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