Ethan Ham

Publications

“Randomness, Chance, & Art.” J. Braman, G. Vincenti, G. Trajkovski (Eds.), Handbook of Research on Computational Arts and Creative Informatics. IGI Global, Hershey, Pennsylvania, forthcoming in 2009.

“Social Networks, Privacy, & Self-Portraiture,” Media-N Journal of the New Media Caucus. Winter 2008.

GROK: An Introduction to New Media Art (contributor), educational CD-ROM on Internet-based art, Rhizome.org (New Museum of Contemporary Art), New York, New York, 2007.

“Frames,” Master of Fine Arts thesis. Portland State University, Portland, Oregon, 2005.

“Steam Beer”, SlowWine, vol 1, no. 4, Oct-Dec 2001.

Marginalism in The Fugitive, Bright Lights Film Journal, 1997.

Also Known As..., Dragon Magazine, vol XV, no. 1, issue 158, June 1990.



Permalink Bibliography

Matthew Ferranto, “Digital Self Fashioning,” Jane Kroom (ed.), A History of Visual Culture, Berg Publishers, forthcoming.

Michael Betancourt, “Technesthesia and Synaesthesia,” Vague Terrain, Feb 9, 2009.

Carolyn Kellogg, “Embed stories in your computer,” Los Angeles Times Blogs, Dec 2, 2008.

Sylvie Parent, Magazine Ciel Variable, issue 79, May 2008.

Erin Polgreen, “art space,” In These Times, May 2007, 46.

Michael Betancourt, “Fear, the Robot, Resistance”, The Present Group, February 2007.

Greg Cookland, “‘PRC P.O.V.’ at BU’s Photographic Resource Center,” The New England Journal of Aesthetic Research, January 17, 2007.

Damali Ayo, Interview, “Art Focus,” KBOO Radio, Portland, Oregon, December 14, 2005.

Edward Moyer, “The Art of Spam,” C-Net News.com, August 19, 2005.

Damali Ayo, Interview, “Art Focus,” KBOO Radio, Portland, Oregon, March 3, 2005.

Ceecy Nucker, “Truly a sight to see,” Minot Daily News, Minot, North Dakota, September 2, 2004.

Carla Burbidge, Interview, KXMC Television, Minot, North Dakota, August 31, 2004.Carla Burbidge, Interview, KXMC Television, Minot, North Dakota, August 31, 2004.

Inara Verzenmnieks, “St. Johns goes artsy,” The Oregonian, Portland, Oregon, August 20, 2004, A&E 7.


Permalink Ethan Ham is a sculptor and installation artist who often uses kinetics, electronics, and computers in his artwork.

His projects include Tumbarumba and Self-Portrait (both commissioned by Turbulence.org), Anthroptic (commissioned by The Present Group), and Email Erosion (commissioned by Rhizome.org).

Ethan is an Assistant Professor of New Media at The City College of New York.



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